Analysis of Script- Notes

A. Character Life Goals and objectives
-Pierre Thornton: Finishing college and graduating with an Animation degree.
Description: Af. American male who doesn't say much unless spoken to. Basically a quiet individual, but goofy and misunderstood.

-Emmanuelle Jones: Finishing college and graduating with a Fashion degree.
Description: Af. American woman who speaks out at everything and anything. Also, she loves rap music and she drives the car.

-Terrance: Finishing college and graduating with a Political Science degree.
Description: Af. American male who usually has a lot to say for no reason. He likes to speak out too, but he isn't as outspoken as Emmanuelle.

-Chad: Finishing college and graduating with a Graphic Design degree.
Description: Af. American male who doesn't say much, unless he has something profound to say. He is a very laid back slow speaking person. Talks a lot under excitement.

Our objective is to reenact a experience from our past that we all experience together, which was a close car accident head on. We are to capture our emotions and reactions that was caused by the sudden awareness of danger coming in our direction.

B. Character Obstacles
-The obstacles that each character will share is the car accident that could harm them or worse, end their lives. We need to make it out of this situation alive to continue pursuing our life goals.

C. Actions to overcome
-Our actions are limited within a vehicle that is stopped at a stop light. We can only wear our seatbelts and yell or scream at the truck coming in our direction. Terrance may stand in excitement and I want him to be the one who raises our alert level and the suspense in the movie.

D. The Means
-Refer back to Letter C.

E. Adjustments after failure
-The actors will brace for impact.

F. Realistic doings
-The actors will engage in the realistic emotions that appear when one's life is in jeopardy, such as fear and excitement or the in-belief that they are involved and affected by a oncoming threat. My plan is to place the actors in a actual car to capture the tangible aspect of realism. The interior of a real car will help viewers build a relationship between their experiences and what will happen in the movie.